Кто настоящая мария castlevania
Обновлено: 06.07.2024
Жена Габриэла Бельмонта, мать Тревора. Мари была младшей дочерью зажиточного купца, с ранних лет ее привлекали идеи Братства Света, она сбегала в монастырь и следила за тренировками воинов. Спустя время Габриэл и Мария поженились. Когда Габриэл выполнял очередное задание Братства, в тайне от него Мария родила Тревора и скрыла его от мужа. Она умерла через год и в виде призрака помогала мужу до тех пор, пока он не освободил ее с помощью Маски Бога.
Виктор Бельмонт
Потомок Габриэла Бельмонта, который считает себя последним из рода.
Жюст Бельмонт
Внук Саймона Бельмонта, является одним из сильнейших Бельмонтов из-за большого магического потенциала.
Кристофер Бельмонт
Протагонист серии для Нинтендо, предшественник Саймона Бельмонта.
Леон Бельмонт
Основатель клана Бельмонтов по альтернативной версии вселенной.
Мария Ренард
Охотница на вампиров и дальняя кровная родственница клана Бельмонт (хотя в Castlevania: Dracula X она была переписана как сестра возлюбленной Рихтера, Аннет). В 1792 году Мария была схвачена вместе с несколькими другими молодыми женщинами и доставлена в замок Дракулы. Рихтер Бельмонт спас Марию от Шафта, одного из слуг Дракулы, который пытался наложить на нее заклятие. Как только Мария спасена, она становится играбельной и использует различные магически усиленные атаки животных для боя.
Рихтер Бельмонт
Потомственный охотник на вампиров. Сражался с Дракулой, однако после битвы таинственным образом исчез.
Саймон Бельмонт
Протагонист оригинальной серии игр, охотник на вампиров. Противостоит силам тьмы во главе с Дракулой, использует знаменитое оружие — кнут.
Сифа Бельмонт
Жена Тревора Бельмонта, мать Саймона Бельмонта.
Солейу Бельмонт
Сын Кристофера Бельмонта, захваченный Дракулой на праздновании своего совершеннолетия.
Соня Бельмонт
Основательница клана, возлюбленная Алукарда. Мать Тревора Бельмонта.
Тревор Бельмонт
Наследник Бельмонтов, охотник на вампиров, который противостоял Дракуле и его приспешникам в пятнадцатом веке.
Прием
Мария Ренар стала любимицей фанатов сериала. Писатель Джонатан Ояма назвал Марию символическим персонажем сёдзё и предположил, что она была добавлена в Rondo of Blood . Он назвал ее одним из лучших персонажей в Castlevania , хотя его разочаровал переход от дизайна « Рондо крови» к дизайну « Симфония ночи» . Сценарист Рон Дювелл считал Марию одним из лучших аспектов Кровавого Рондо , называя ее «одной из самых веселых главных героинь» в любой видеоигре. Писатель Джонатан Оре критиковал Марию, сравнивая ее с другим главным героем Castlevania Шаноа . Он не согласился с тем, что ее нужно было спасти, и, как правило, она играла более вспомогательную роль, чем Рихтер.
Дизайн Марии в Castlevania Judgment получил в целом негативную оценку. Это был популярный пример среди любителей проблемы с Судный ' дизайн s. Писатель Дж. К. Флетчер раскритиковал ее дизайн, назвав его неузнаваемым, и назвал ее «надоедливым ребенком в нелепом розовом готическом платье в стиле Лолита». GamePro ' s МакКинл Noble чувствовал , что Мария была полностью в отличии от ее стандартной конструкции, что привело к игре , чтобы чувствовать себя „родовой и непродуманными.“ Писатель Митч Дайер счел ее дизайн неузнаваемым и критиковал Марию за ее одержимость большой грудью, называя ее незрелой. Сценарист Screen Rant Крис Ходжес также не любил ее увлечение, называя его «смущающим». Кат-сцена, изображающая это увлечение грудью, была включена в список худших роликов Joystiq . Они выразили дискомфорт по этому поводу, а также выразили недоверие по поводу того, что такая сцена может произойти в сеттинге Castlevania Judgment . Джонатан Холмс из Destructoid назвал ее дизайн возмутительным, сославшись на ее бедра, похожие на чун-ли , совиную палочку и наряд. Он сетовал, что у нее почти нет ничего общего с ее стандартным дизайном. Играя в игру, он более снисходительно относился к ее дизайну, заявляя, что в подростковом возрасте ее «аксессуары для девочек в стиле панк» кажутся более оправданными. Автор Nintendo World Report Закари Миллер назвал ее дизайн «отвратительным», сравнив ее голос с голосом персонажа Инуяши . Однако рецензент Андрей Подольский высоко оценил посох Марии в виде совы и его оригинальность. GameZone и Jeax Video сравнили ее дизайн Judgment с персонажем Death Note Мисой Амане , который также был разработан Обатой.
Концепция и создание
Castlevania: Symphony of the Night содержит неиспользованный контент, который предполагает, что в игру планировалось включить злую или одержимую версию Марии. Ее тематический ремикс в Castlevania Judgment был разработан, чтобы пробудить в Марии «энергичную и невинную» личность. Композитор Ясуши Асада решил использовать гитару с нейлоновыми струнами и аккордеон, чтобы попытаться добиться такой же интенсивности.
Maria Renard
Maria Renard ( マリア･ラーネッド , Maria Rāneddo ? ) is a character in the Castlevania series. She is a young vampire huntress and a distant relative of the Belmont Clan. She was only twelve years old at the time she makes her first appearance in the series, yet she has already achieved mastery over magic spells, animal spirits for familiars, and the four celestial beasts.
Мария Ренар - Maria Renard
Мария Ренард ( マ リ ア ・ ラ ー ネ ッ ド , Мария Ранеддо ) - вымышленный персонаж в серии видеоигр Castlevania .
СОДЕРЖАНИЕ
Boss battle
Maria is fought as a boss in the Sega Saturn and The Dracula X Chronicles versions of Symphony of the Night. She is battled in the Castle Center and must be defeated in order to obtain the Holy Glasses.
Character's history
Castlevania: Rondo of Blood
As a courageous vampire huntress, the twelve-year-old Maria Renard stood up against Dracula's minions with the possession of her magical powers. However, she somehow was caught and brought to Dracula's Castle along with three other villagers: Iris, a doctor's daughter, Tera, a nun, and Annette, the fiancée of this current generation's Belmont warrior, Richter, who was a distant relative of Maria's family.
Maria was imprisoned in a dungeon near the sewage under the Main Hall. She was rescued by the vampire hunter Richter Belmont. Maria introduced herself to him, identifying herself as a vampire huntress despite her youth. Richter responded with a laugh and told her to leave the vampire hunting business to an elder man like himself, apparently because she was too young to fight, which made Maria visibly upset. After she accidentally summoned a dragon during a tantrum she threw, Richter finally agreed to let Maria accompany him, much to her enthusiasm.
Castlevania: The Dracula X Chronicles
In 1792, when she was twelve years old, the dark priest Shaft raided her village for women to offer as sacrifices to increase his lord Dracula's strength. Maria's parents were killed in the raid and she was taken off with three other villagers: Iris, a doctor's daughter, Tera, a nun, and Annette, the fiancée of this current generation's Belmont warrior, Richter. It was under these circumstances that Maria first met Annette, and they were initially brought to Dracula's Castle together. Having lost her parents, Maria and Annette formed a bond in captivity and Maria would start referring to Annette as her "big sister". Annette told her about Richter and how powerful he was and that she was sure that he would save them.
Shaft noticed that Maria had a hidden power inside of her and determined that it would be best used to serve Count Dracula. He separated Maria from Annette and brought her to a hidden ceremony room. There he cast a spell on her, which brought that power forward, but he was interrupted by Richter Belmont, who was able to find them. Shaft fled without a fight and Maria awoke to find Richter, as brave and as powerful as Annette had said he was. Richter was glad she was fine and asked her to go home to her parents, but she responded that since they were now in Heaven, she had nowhere else to go and would follow Richter.
She had a strong desire to save Annette and the other villagers, and stop the "bad man" who had captured them. When she became a little irritated by Richter's pleas for her for safety, she inadvertently summoned a dragon for the first time, which caught Richter off guard. It was now evident she was no longer a helpless girl, but had the power, will, and stubbornness to survive in the castle. Richter felt he had no choice but to allow her to help him.
Maria used newly awoken powers to gain dominion over animals, as well as the four Celestial Beasts, to protect her on her quest. Maria and Richter split up in order to search for the missing village maidens. The girls who Maria was able to save were very surprised, and perhaps a little disappointed, to be saved by a young girl instead of a strong young man, but very grateful, nonetheless. Throughout her ordeal and despite her loss, Maria remained cheerfully optimistic and confident in her abilities and her animal friends' help. They were eventually able to save all of the village maidens and Shaft was defeated.
Castlevania: Symphony of the Night
In 1796, Richter vanished under the light of a full moon. Maria immediately set out to find her guardian and friend with no idea of where to start. After a year of searching, in 1797, Dracula's Castle reappeared as if to show her the way. While she set out to Dracula's Castle once again, unbeknown to her, Alucard, the dhampir son of Dracula who had put himself under an eternal sleep after defeating his father with Richter's ancestor, Trevor Belmont, three hundred years earlier, was mysteriously awoken from his slumber. Alucard also set out to the castle with the intent of destroying it and preventing Dracula's revival.
Maria and Alucard would meet several times while pursuing their separate goals. Maria was surprised to find another "human" in the castle, but when Alucard introduced himself at her request and explained what his goal was, she decided to trust him and both went their separate ways.
Maria had trouble getting around the castle after that, as its very form seemed different than the last time she was there. When she met up with Alucard again, she asked him about it and he explained that the castle itself was a creature of chaos and that it could take many forms. With this in mind, she continued her search.
Alucard faced off against Richter in the Castle Keep, but was now able to see the mysterious orbs that allowed the dark priest, Shaft, to control Richter, and in the middle of their battle, he destroyed them, thus releasing Richter from his spell. While Alucard chased Shaft into an inverted castle in order to prevent Dracula's resurrection, Maria helped the wounded Richter escape from the castle. They went to a ridge a safe distance from the castle and waited for Alucard to finish his task. As they watched the castle crumble in the aftermath of Alucard's victory, Alucard met up with them at that ridge in order to bid them farewell. He told them that his blood was cursed and that the world would be better off to be rid of him, and he departed to return to his deep slumber. This was unacceptable to Maria, who had developed a strong affection toward Alucard and could not imagine him not being a part of her life. After Richter assured her that it was fine, she set out to convince him to stay.
Castlevania: Nocturne of Recollection
One day, Alucard was having a dream about his past and his meeting with a strange young man named Lyudmil, who offered his friendship on the grounds of gratitude toward Alucard's mother, Lisa. The dream was interrupted by Maria, who walked into the room to wake him up. The two ended up in an argument about Alucard not opening up to her, not telling her anything about himself. After his imp insulted her cooking and Alucard agreed, Maria headed to the market to buy food in an attempt to change their mind. There, she received a letter from Richter about certain dark rumors surrounding their town. He seemed to be especially concerned about Alucard, even though he refused to believe he was involved.
On her way back, she ran across two men, Cyril and Alexis, who claimed to be vampire hunters. The two warned her about recent reports on vampire attacks on women and urged her to go home. Soon after they were gone, she encountered an incubus named Magnus, who gleefully explained to her that Alucard was evil and thirsted for human blood. She attacked him, although he had no desire to fight back; Magnus left with a promise to meet her again.
Despite what she wanted to believe, Alucard confirmed Magnus' words and Maria, stricken with grief, stormed out. Later, she decided to go back and help Alucard, but ran into Cyril and Alexis again. The two mentioned a special "medicine", which Maria recognized as dangerous. She tried to take it away from them and in the ensuing struggle, the vial dropped to the ground. Maria, enveloped in fog, lost consciousness. She was found by Richter and taken back home, where she awakened only to discover she could no longer contact her guardian spirits. She insisted on fighting at Alucard's side, despite the circumstances, but Alucard himself dismissed her and set to face Magnus alone.
Maria followed him anyway and arrived just in time to find him losing a mental struggle against Magnus, who was using Alucard's old friendship with Lyudmil, now a vampire under the incubus' influence and the real culprit behind the attacks in the village, as a tool to bring out Alucard's vampiric instincts. Magnus attempted to kill her, but despair reconnected her with her spirits, thus turning the tide of the battle.
Witnessing Maria's brush with death, Alucard finally displayed some emotion toward her. He apologized and Maria ungrudgingly accepted it. However, despite the defeat of Magnus, Alucard still had a deeply regretful farewell to Lyudmil, whom he was unable to save.
Anime Characters Fight вики
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Появления
Мария впервые появляется в Castlevania: Rondo of Blood в роли молодой девушки, похищенной силами Дракулы. Если Рихтер спасет ее, она станет игровым персонажем, нападающим с животными.
Взрослая Мария появляется во второстепенной роли в Castlevania: Symphony of the Night , где она расследует исчезновение Рихтера и таинственное возвращение Замка Дракулы. Во время исследования она встречает Алукарда и помогает ему в его собственных поисках. При соблюдении определенных условий Мария даст Алукарду Святые бокалы, рассеивающие злые иллюзии. Это позволяет Алукарду видеть, что Шафт контролирует Рихтера, когда они сражаются, что приводит ко второй половине игры и хорошему финалу. Если игрок не получит очки от Марии, он будет вынужден убить Рихтера, что приведет к плохому финалу.
Она появится вместе с Рихтером в следующем мультсериале Castlevania , действие которого происходит во время Французской революции .
Appearance
Maria is portrayed as a cute and innocent-looking little girl with long golden blond or reddish-blond hair, depending on the game. Her eyes are blue-green colored, very big and expressive. During the events of Rondo of Blood, Maria wears a blue ribbon, a long pink dress, and small brown boots, while wearing a two piece pink outfit with a long blue sash around her waist in The Dracula X Chronicles. In the original Rondo of Blood, largely due to the anime-style artwork, Maria was depicted as having a fairly large bust for her age. This is significantly toned down in the remake The Dracula X Chronicles, where her breasts are designed to better resemble someone of her age.
In Symphony of the Night, an older Maria sports a short emerald green tunic with gold cuffs on its short sleeves, silver decorative linings around the edges, long brown leather gloves above her elbows, short black shorts, a thick golden sash around her waist that reaches toward her above her ankles, long white stockings with emerald green ribbons for the edges, and golden shoes.
Gameplay
Castlevania: Rondo of Blood
Maria Renard appears at the age of twelve in the 1993 NEC PC Engine game Castlevania: Rondo of Blood. After being rescued by Richter, Maria can be selected as a playable character when continuing the game. Her primary weapons are Doves instead of a whip, and her sub-weapons include a Cat, a Turtle, Cardinals, a Dragon, an Egg, a Book of Music, and a Key. Each of these has an Item Crash associated with it that when used unleashes a devastating attack or a special action at the cost of extra Hearts.
In addition to her normal attacks, by entering ↑, ↓, → (←), II, Maria can perform a special attack known as the Guardian Knuckle, which projects a shadow image of herself forward, attacking enemies without even approaching them.
Maria is able to perform sliding and double jumping, being the first character to introduce these actions into the series. Unlike Richter's bulky actions, her movements are smoother and quicker. All these features make Maria an easier option for novice players.
Castlevania: Symphony of the Night
Original version
Maria was going to be put in the 1997 game Castlevania: Symphony of the Night as a playable character, but was cut back due to time constraints. Her voice tracks were discovered to be already stored in the game's RAM on the PlayStation version, confirming her participation as a playable character.
She is shown in artwork as having an owl on her shoulder, which seems to have replaced her doves, and would be shown in action in later versions of the game. She also appeared as a boss as well in later versions.
Saturn edition
Maria is a playable character selectable from the start of the game of the Sega Saturn version Symphony of the Night.
Her fighting style has changed drastically in this game as she does not use animal summons as sub-weapons. Her main attacks consist of kicking and punching. She is able to perform energy blasts from her fingertips to strike targets in the distance. She is able to equip and use the same sub-weapons that Richter is able to use, except that she cannot perform their item crashes. She has a magic meter like Alucard and can perform spells granted from the spiritual energy from the animals that appeared in Castlevania: Rondo of Blood. She can also use a bit of this magic to perform a high jump.
Dracula X Chronicles version
A brand new version of Maria is playable in the Symphony of the Night game which was included in 2007 Sony PlayStation Portable game Castlevania: The Dracula X Chronicles.
She now uses some of her four traditional animal sub-weapons once again and is able to switch back and forth between two of them. Her animal friends have reached maturity too along with Maria herself and this time around, she can item crash these animals. She also has a Doll sub-weapon just like her hidden attack in Castlevania: Rondo of Blood and it can also be item crashed. Her primary attack Doves have been replaced with Owls. She can also high jump and slowly float back down, by holding one of her owls above her head.
Castlevania: Portrait of Ruin
Though Maria has no mention in the story of the game, she is a hidden character alongside Richter Belmont in the 2006 Nintendo DS game Castlevania: Portrait of Ruin, which officially made this the first game in the series for international audiences outside of Japan to play as Maria.
Her primary weapon are her doves once more, although she is able to send them out very rapidly in this game. She maintains most of her four animal sub-weapons that appeared in Castlevania: Rondo of Blood and is able to select them at will. She is not able to perform item crashes in this game.
Castlevania: The Dracula X Chronicles
Maria is playable in the 3D remake of Castlevania: Rondo of Blood, which is included in the 2007 Sony PlayStation Portable game Castlevania: The Dracula X Chronicles. Her moves and abilities are essentially the same as they appeared in the original game.
Castlevania: Grimoire of Souls
Maria is the second hero summoned from the grimoires. She uses Birds as weapons and Cats and Crosses as sub-weapons.
Contents
Мария Ренард
Данная статья имеет серьёзные проблемы с оформлением или содержанием, а также информация в ней очень часто может не соответствовать действительности. Предполагается, что когда-то это будет исправлено опытными пользователями.
Имя: Мария Ренард
Уровень сил: 9+
Пол: Женский
Классификация: Человек, охотница на вампиров
Возраст: 18 лет (12 лет при первой битве с Дракулой в 1792 году)
Умения, силы и способности: Сверхчеловеческие физические характеристики, сверхчеловеческие чувства, аура (материализованная), призыв, магия, рукопашный бой, манипуляции энергией, абсорбция (насыщение, поглощение духовной и магической энергии), сопротивляемость (физическая, магическая, к свету, к превращению в камень)
Слабые стороны: Некоторая слабость к элементу тьмы
Разрушительный потенциал: Уровень здания на пробой
Диапазон: Ближний бой, несколько десятков метров с призывами и магией
Прочность/защита: Уровень здания (вероятно намного выше)
Скорость: Сверхчеловеческая скорость передвижения и реакции
Сила на подъём: Атлетическая, вероятно выше
Сила на удар: Уровень валуна, вероятно выше
Выносливость: Сверхчеловеческая
Интеллект: Высокий, одарённая волшебница
Боевые навыки: Высокие, мастер рукопашного боя и практик магических искусств
- Святые очки - специальные очки, которые позволяют своему владельцу видеть сквозь иллюзию и проклятия.
Атаки, техники и способности:
Охотник на вампиров - это опытный воин, который охотится и сражается (или сражались в какой-то момент времени) с вампирами, нечистью и монстрами. В подавляющем большинстве охотники - люди, хотя могут быть и исключения. Многие охотники владеют навыками выслеживания существ и охоты на них. Мария, будучи дальней родственницей клана Бельмонтов, является чрезвычайно одарённой охотницей на вампиров, наделённой магическими способностями. Она имеет способность повелевать четырьмя священными животными.В 1792 году Мария участвовала в битве Дракулы и Рихтера Бельмонта, в 1797 году остановила вместе с Рихтером и Алукардом возвращение владельца замка Кастлвания.
Personality
As an adult, Maria was shown to have a courageous, fearless yet concerned demeanor, especially since she feared the worst for Richter. She retains her resolute side, having disregarded Alucard's claim that Richter had turned evil and only came around when she encountered him and discovered that the dhampir was telling the truth. In spite of this, she still refused to think that the young Belmont would willing be malicious. She is always vocal and transparent about what she feels, and is uncomfortable when others also don't share what they are thinking. Alucard and Imp observed that Maria does not cook well, and called her irritant for being too intrusive. Overall, she has a humorous personality and is endowed with a great amount of courage, is quite impulsive and is not afraid to put herself in situations that put herself in danger to help others.
Other appearances
Castlevania: Dracula X
Maria's artwork from Dracula X.
An alternate version of Maria appears in the Super Famicom version of Dracula X. While still retaining her role as Annet's little sister, both have in fact been made blood relatives this time around, whereas in the original game they were not.
Her physical appearance has also been drastically changed from her Rondo of Blood counterpart, this time portraying a less flamboyant outfit and fashioning a loose and shorter hairstyle.
She is not a playable character in this game, however, nor does she display any fighting or magical abilities. Her participation is reduced as being just another damsel in distress that needs to be rescued. In fact, finding her is required in order to obtain the best ending. Her prison can be found midway through the Dungeon level and can only be unlocked if Richter managed to bring with him the Key from the previous level. She'll be considered to have been saved from that point onward, no matter if the player dies prior to completing the level. The player will retain the Key after saving Maria, with which they can then unlock the door that leads to the alternate exit, located one room before the boss room, and which leads to Stage 5', where Annet can be found.
Castlevania Judgment
Castlevania Puzzle: Encore of the Night
Maria appears as a non-playable character in story mode of Encore of the Night. She also is available as a playable character in Arcade Mode.
Castlevania: Harmony of Despair
Castlevania: Grimoire of Souls
Both the child and adult versions of Maria appear in Grimoire of Souls, the former as a playable character, and the latter as a summon that needs to be rescued.
Other games
- Maria Renard from Rondo of Blood makes cameo as a plush doll in Tokimeki Memorial (PCE).
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